Wan 3.0 Video to Prompt
Read any clip back into words
Give it a clip and get back the Wan 3.0 prompt that would produce something like it — written in Alibaba's own order, not a generic caption. The clip is opened in this browser: what crosses the wire is a sheet of frames and a compressed audio track, never your file.
Your Wan 3.0 prompt
descriptionsubject · scene · motion · camerasoundwhat the scene makesmusicor no music
Three sections, flattened into the one plain paragraph Wan 3.0 reads. The labels belong to this panel, never to the prompt.
Before you copy
- A style is fair game; a recognisable work is not.
- Real, identifiable people need consent.
- Describe a mood and an instrumentation, not a specific song.
Generating needs an account, and the first clip on it is free: 480P, up to three seconds, with sound.
Free reads, counted honestly
The tools that rank for this charge two to ten credits a go, from a pack you buy before you have seen anything. This one gives you a read a week without an account and three a week with one, and only starts charging after that — five credits, which is an eighth of the cheapest Wan 3.0 clip you could generate here.
It is metered because reading a clip is not free the way writing text is. Every run decodes frames, transcribes the audio and puts a vision model over the result. That is a fraction of a cent, not nothing — so rather than print "no counter" and then quietly refuse you on the fourth try, the number is on the button before you press it.
Free, up to the weekly count
- One read a week with no account at all
- Three a week once you have signed in
- Writing a prompt from an idea — that one has no counter
- Reading worked prompts beside their clips
Costs credits
- Extra reads past the weekly free ones — 5 credits each
- Generating the video — your first clip is on us: 480P, up to three seconds, with sound
- 720P and 1080P, and anything longer than three seconds
No card to start, and nothing here bills by surprise: the extractor prints its own price on the button, and a run that fails hands the allowance back.
What it reads out of a clip
Rather than one paragraph of description, the result arrives in the layers a Wan 3.0 prompt is composed from — so you can keep the parts you want and rewrite the rest before anything is generated.
EntityThe subject, described as something Wan 3.0 could re-shoot rather than as a caption.SceneLocation, time of day, and where the light is coming from — the layer Wan 3.0 invents for itself when a prompt leaves it out.MotionWhat moves, how far and how fast — stillness counted as a choice.Aesthetic controlShot size, camera move, apparent lens and depth — the layer Wan 3.0 follows most literally.StylizationA named look, only when the footage clearly has one.SoundSpeech, effects, ambience and score — and silence, where it is deliberate.…flattened into one paragraphWan 3.0 takes a single plain prompt, so the layers are the panel's labels and never reach the model.
Speech is transcribed, not guessed
The audio track is transcribed rather than described, so a line of dialogue comes back as the actual line — already inside braces, which is the only way Wan 3.0 performs a line instead of narrating it. If the clip is silent, the result says so rather than inventing a soundtrack for it.
she looks up and {It stopped raining.}
Then it goes through the same checks
The prompt comes out of the reader and straight into the twelve rules the prompt writer uses — the character ceiling, the case-sensitive citations, the camera move that names neither size nor speed. A read that produced something Wan 3.0 would mangle says so before you copy it.
12 rules, run before you copy
Five things people take from a reference clip
Naming the target changes which part of the read matters most, and what the Wan 3.0 prompt leads with. It is asked before the run rather than offered as a filter after it.
Style
style
Grade, light, texture — the look before anything moves.
Composition
composition
Framing and blocking: where things sit and how the eye travels.
Motion
motion
Choreography and camera path, written as a move with a size and a speed — the only camera grammar **Wan 3.0** executes.
Sound
sound
The mix that makes it feel expensive, split the way Wan 3.0 takes it.
Character
character
Who is on screen — and the one goal that starts with consent.
Likeness line, below
A dance clip and a perfume ad might share a grade, but you would read them for opposite reasons: the first for its motion, the second for its light. If what you actually want is to keep the original framing or soundtrack rather than describe it, stop here and hand reference to video the file itself — Wan 3.0 carries up to five reference clips in one request, and a copy beats a description every time.
Your file never leaves the browser
Most tools of this kind upload your video. This one opens it locally, decides what is worth looking at, and sends two small artefacts to build the Wan 3.0 prompt from — which is why the progress bar names the machine each second is being spent on.
Opened on your machine
Decoded in the tab, through the browser's own video pipeline. Nothing has been sent at this point, and nothing will be if you change your mind.
Local decode
Scanned for cuts
Four samples a second, looking for frames that change more than this particular clip normally does. A handheld single shot and a six-cut montage need different thresholds, so the bar comes from the clip itself.
4 samples / second
Built into a contact sheet
Six frames without an account, eight with one, laid out two wide. Cuts are claimed first so no shot goes unseen; the rest spread across the widest gaps.
6 or 8 frames
Audio compressed, not uploaded whole
The track is re-encoded small and sent alongside the sheet. If the browser cannot do it — Safari, most often — the read still runs, and the result says the sound was inferred rather than heard.
~24 kbps Opus
Watched and listened to
A vision model reads the sheet while transcription reads the track, and both land in the same prompt: what is on screen, and what it sounds like.
Sheet + track
Composed in Alibaba's order
Entity, scene, motion, aesthetic control, stylization — flattened into the single plain paragraph Wan 3.0 actually reads, with the sound written alongside rather than after.
One plain prompt
Checked before you copy
The same twelve rules the prompt writer runs, failing line quoted. A read that produced something Wan 3.0 would render as on-screen text is caught here rather than in a paid generation.
12 rules
The three sounds your clip is making
Keyframe tools sample stills, which means they analyse your clip on mute.
This one listens, and splits what it hears three ways — because Wan 3.0 generates audio in the same pass as the picture, so the prompt is also the sound brief. The test between the last two is one question: could the people in the clip hear it?

Dialogue
The words people actually say, transcribed and placed inside braces in the shot they belong to. Who says it and how they say it stay outside the braces, in the prose.
{It stopped raining.}
Soundscape
Everything the scene itself produces: rain on an awning, a knife on a board, traffic two streets back — each with a distance and a moment it lands.
sound
Score
What only the audience hears: instruments, tempo, where it enters and where it resolves. A clip with none comes back saying so, and "no music" is itself an instruction Wan 3.0 obeys.
music
Say nothing about sound and Wan 3.0 still generates some — chosen by the model. That is the argument for reading it off the reference rather than leaving the field blank.
A 60-second clip does not become a 60-second prompt
Wan 3.0 generates two to thirty seconds, and your reference probably is not that.
What it will readup to 60s of source
What Wan 3.0 generates2–30s at 30 fps
Pick a target length and the read is fitted to it. When the source is longer than the target — which is most of the time — the tool stops and asks instead of quietly reading the first eight seconds of a thirty-four-second video and never mentioning it.
Two ways to answer: take one contiguous stretch and drag it to where the good part is, or keep the whole clip and let it be compressed, vetoing the beats you do not want. The second is a genuinely different instruction — the model is told these frames span the whole clip and asked to compress, not to describe a window — and getting that wrong is what produces a timeline of one-second shots that nothing can execute.
The beats it found are drawn on a strip you can click, so the machine's taste is a suggestion rather than a decision.
Whose video is it?
Reading a clip does not give you rights to it, and we cannot grant rights we do not hold.
- StyleLearning that a clip leans on golden-hour light and a slow push-in is fine. A style is not something anyone owns.
- A specific workRebuilding a recognisable film or advert shot for shot is not, however the rebuild was made.
- A real personDescribing a real, identifiable person into a model needs their consent, and reading their face off a clip does not obtain it.
- MusicDescribe a mood and an instrumentation. Reconstructing a specific song is a different act with a different owner.
- Logos and productsProtected no matter how the video was made. The practical test: if you would not put that clip in your own ad, do not rebuild it here either.
Take the prompt to the generator
The prompt is plain text and it is yours — paste it into anything. But the shortest route from here is the button in the result panel, which carries it into a real Wan 3.0 generator on this site with the length and the aspect ratio already set to what you read it at.
01
Read it, then edit it
Every section is yours to change, and the checks re-run on what you leave behind.
02
Press the button in the panel
Prompt, length and ratio travel together, so nothing has to be re-typed.
03
Generate
This part needs an account, and the first clip on it is free: Wan 3.0 itself at 480P, up to three seconds, with sound.
A prompt is a description, and a description is lossy on purpose. If the goal is keeping the original rather than re-making something in its spirit, the file itself is the better input.
This, or one of the other four?
Describe it here; preserve it by handing Wan 3.0 the file instead. Which of those you want decides the page.
Learn from it
Why does this clip work?This page
Make one like it
A new clip in its spiritThis page
Have no clip
An idea and no footage — and no counterPrompt Generator
Keep it
Hold the framing, the subject or the soundtrackReference to Video
Change it
Re-voice or continue the actual footageVideo to Video
Describing a clip is lossy on purpose, and when the goal is learning why it works the loss is the point. When the goal is keeping the original framing, lighting or soundtrack, stop describing: reference to video preserves what a rewrite can only approximate, and re-voicing or continuing real footage is video editing's job.
The one case where a description is the only path is a source you cannot upload at all — someone else's footage, or private material — because a description you wrote is yours in a way a copy never is.
No clip and no idea yet? Worked prompts, printed in full beside the clips they made.
Wan 3.0 video to prompt questions
Ten answers · all visible · nothing collapsed
What does Wan 3.0 video to prompt actually do?
Will I get the exact same video back?
Is Wan 3.0 video to prompt free?
Why is this one counted when the prompt writer is not?
What can I give it, and how long can the clip be?
What happens to my upload?
Does it transcribe the dialogue?
My reference is six seconds. Can I get thirty?
Can I read a clip from social media?
Can it go the other way — idea to prompt?
Give it a clip, read it back as a prompt.
The file stays in your browser, the first read each week costs nothing, and what you copy is yours. Generating it on Wan 3.0 takes an email — and the first clip is on us.
Written and maintained by the wan-3.run editorial teamPublished Last updated